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![uad pultec uad pultec](https://i.ytimg.com/vi/HNtG9qjeqwI/maxresdefault.jpg)
The EQP-1A is one of the most musical EQs ever invented. This Pultec equalizer has injected its sought-after sound on countless hit records since the ’70s. Most notably, is the famed two-band EQP-1A. If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)įor behind the scenes photos and the latest updates, make sure to follow us on: The Pultec Passive EQ Plugin Collection for UAD-2 and Apollo hardware includes all three emulations of Pulse Techniques’ legendary tube EQs. Jingles can be in any style, can feature the Tape Notes theme, lyrics, or none of those things - be as creative as you'd like (as long as they're between 5-15 seconds). Intro Music - Sunshine Buddy, Laurel Collectiveįor all of the details on sending in a jingle email your Tape Notes jingle and we'll play our favourites each week on the podcast. ‘Hotel Surrender’ - Detail Records, BMG (Australia) As discussed before, the original EQP-1A was an instant hit at the time of its release back in 1951.
#Uad pultec pro
Universal Audio’s Pultec Pro Legacy plug-in combines the Pultec MEQ-5 Midrange Equalizer and the Pultec EQP-1A Program Equalizer, two of the most sought-after hardware EQs, into a single plug-in.
#Uad pultec how to
Tracks discussed: Oh Me Oh My, Low, Feel Good UAD are considered giants in the compressors market with their LA-2A and 1176 plugins, and now this is their attempt at emulating the classic Pultec EQP-1A EQ. Get UAD Pultec-Pro Legacy by Universal Audio and learn how to use the plugin with Ableton Live, Logic, GarageBand, and FL Studio for free. Listen to find out how many cowboy monologues were recorded for the album, why you shouldn’t rollerblade in music videos, and how to appropriately react when you’re given Ableton and not Acid Loop Pro.
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In this episode, John links up with Chet Faker aka Nick Murphy, to talk about how he wrote, recorded and produced the album ‘ Hotel Surrender’.ĭiving into the tracks initially found within one of his numerous demo playlists, Nick looks back on his variety of music making processes, sharing thoughts on slingshotting around different creative mediums and maximising inspiration.įrom scrapbooking and self-sampling to a great deal of file management, we’re treated to stories of productivity-inducing gear limitations and tricks to get strange harmonic options, all alongside advice on putting music out, taking criticism and simply being the best you can be.